![]() Cézanne was a knowledgeable artist who was very familiar with the Old Masters. Soon, he abandoned the Impressionist aesthetic and embarked on his own aesthetic experiments, which proved deeply influential. His landscape paintings of Provencal settings, like Mont Sainte Victoire, the Bay of l’Estaque, and the Bibemus Quarry, have become some of his most famous works. ![]() He eventually moved back to Provence, where he resided for the rest of his life, aside from short-term return visits to Paris. Unsurprisingly, he was unable to find acceptance in the mainstream academic art scene, either. He exhibited at two of the Impressionist exhibitions in the 1870s but received poor reviews. ![]() His early style was somewhat reminiscent of Impressionism, and he befriended several Impressionists, particularly Camille Pissarro. After training at a local Aix art school, Cézanne moved to Paris in 1861 but did not find much joy or success there. Despite his early interest in art, he entered law school at his father’s urging but quickly abandoned those studies. ![]() Paul Cézanne was born in Aix-en-Provence in the south of France. 1876-7, via Metropolitan Museum of Art, New York Learn more about Cubism in History of Cubism, Analytic Cubism and Synthetic Cubism.Who Was Paul Cézanne Dish of Apples by Paul Cézanne, c. The inclusion of real objects directly in art is seen the start of one of the most important ideas in contemporary and modern art. Whereas in Analytic Cubism the small facets of a dissected or “analyzed” object are reassembled to evoke that same object, Synthetic cubist works often include collaged real elements such as newspapers. In this period, the favourite motifs of Cubists were still lifes with musical instruments, bottles, pitchers, glasses, newspapers and the human face and figure. In the first phase Cubists reduced objects to just a series of overlapping planes and lines mostly in near-monochromatic browns, greys or blacks. Over the years, Cubism developed into two distinct phases: the initial and more austere Analytic Cubism, and later phase of the movement known as Synthetic Cubism. The name Cubism derived from a comment made by the French art critic Louis Vauxcelles who described some of Georges Braque’s paintings exhibited in Paris in 1908 and influenced by the late work of the Impressionist artist Paul Cézanne as reducing everything to ‘geometric outlines, to cubes’.Ĭubism is seen as a revolutionary movement that rejected to consider art as a pure imitation of nature and refused to adopt the traditional techniques of perspective, which had been used to depict space since the Renaissance. Cubist artists wanted instead to emphasize the two-dimensional flatness of the canvas. In their artworks objects are analysed, broken up into a multitude of small facets and then reassembled into geometric forms to evoke the same figures and to show the subjects from multiple views. By breaking objects and figures down into distinct areas or planes, the artists aimed to propose a revolutionary new approach to represent reality. It was founded around 19 by Pablo Picasso and Georges Braque with the aim to reject the traditional techniques of perspective, modelling and chiaroscuro and refuting the idea of art as pure imitation of nature. Cubism was one of the most influential art movement of the 20 th century.
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